The following announcement was provided by Orchestra Without Borders:
As October draws to a close, preparations are underway for a multidisiplinary celebration of Armenia’s musical heritage in Watertown, home of New England’s largest Armenian community and a new statue of the Armenian musician Komitas.
A priest, composer, choir leader, and musicologist, Komitas (also known as Gomidas Vartabed) established much of the musical heritage of Armenia as we know it today. He collected folk tunes from all over the country, recording them for posterity in several published volumes. Although Komitas himself became a casualty of the Armenian Genocide (traumatized by what he experienced during his deportation, he died in a pyschiatric clinic), his music lives on, including in the set of Armenian folk songs transcribed for strings by Sergey Aslamazyan, founder of the renowned Komitas Quartet.
On December 12th at 8 p.m. at the historic St. Stephen’s Armenian Apostolic Church in Watertown, MA — where Komitas’s music forms part of the weekly liturgy — the Orchestra Without Borders of Boston, led by conductor Luca Antonucci, will perform the Armenian Folk Songs transcribed by Aslamazyan in collaboration with the women of the internationally-renowned Sayat Nova Dance Company, a leading Armenian dance organization. The concert, which is sponsored by the Watertown and Mass Cultural Councils and co-hosted by six local Armenian churches, also features a special archival display from the collection of NAASR, the National Association for Armenian Studies and Research.
Rounding out the program are two rarely-heard works for string orchestra by composers from the Armenian Diaspora: New England native Alan Hovhannes and Soviet-era composer Alexander Arutiunian.
Composing in 1970s Soviet Armenia, Arutiunian forged a unique expressive musical voice that fused elements of Armenian folk music with aspects of the Russian musical lineage of Tchaikovsky, Rachmaninoff, and, more recently, Shostakovich and Prokofiev.
